yellowkrecords

A pioneer in the rediscovery of the French Baroque repertory, William Christie has been recording Charpentier's finest works for over forty years. This boxed set offers you the opportunity to rediscover the key titles among these benchmark interpretations, which have become hard to find, or totally unavailable, such as the Magnificat (1980), Actéon (1982), Médée (1984), Le Reniement de saint Pierre (1986) and David et Jonathas (1988). A significant aspect of the history of recording and of French music is once again available in a limited edition.
A pioneer in the rediscovery of the French Baroque repertory, William Christie has been recording Charpentier's finest works for over forty years. This boxed set offers you the opportunity to rediscover the key titles among these benchmark interpretations, which have become hard to find, or totally unavailable, such as the Magnificat (1980), Actéon (1982), Médée (1984), Le Reniement de saint Pierre (1986) and David et Jonathas (1988). A significant aspect of the history of recording and of French music is once again available in a limited edition.
3149020947203
Haydn: Cello Concertos
Artist: Jean Queyras -Guihen
Format: CD
New: Available $19.98
Wish

Formats and Editions

DISC: 1

1. *** GABRIEL FAURÉ [1845-1924] Messe de Requiem op.48 (version 1893)
2. *** pour soprano, baryton, chour et orchestre
3. Introït et Kyrie (chour)
4. Offertoire (baryton et chour)
5. Sanctus (chour)
6. Pie Jesu (soprano)
7. Agnus Dei (chour)
8. Libera me (baryton, chour)
9. In paradisum (chour)
10. Kyrie (Messager)
11. *** ANDRÉ MESSAGER [1853-1929] Messe des pêcheurs de Villerville
12. *** pour voix de femme, orchestre de chambre et harmonium
13. Gloria. Benedictus (Fauré)
14. Sanctus (Fauré)
15. O salutaris (Messager)
16. Agnus Dei (Fauré)

More Info:

A pioneer in the rediscovery of the French Baroque repertory, William Christie has been recording Charpentier's finest works for over forty years. This boxed set offers you the opportunity to rediscover the key titles among these benchmark interpretations, which have become hard to find, or totally unavailable, such as the Magnificat (1980), Actéon (1982), Médée (1984), Le Reniement de saint Pierre (1986) and David et Jonathas (1988). A significant aspect of the history of recording and of French music is once again available in a limited edition.
        
back to top